From The Archives ~ Topics: copyright
Copyright and Licensing
This article on copyright and licensing tries to cover the most important intellectual property issues that the graphic designer may confront. Copyright is the foundation for many of the rights created by the designer in the course of doing work. Whether on behalf of the designer or client, the de-signer must understand the attributes of copyright and how to protect and deal with copy-rights. Licensing is the best way to be paid for creating copyrights—that is, to license and be paid for many pieces of a copyright rather than simply selling the entire copyright.
Download the full chapter, Copyright and LicensingFrom Professional Practices in Graphic Design, Tad Crawford, ed. Allworth Press, 1998. Re-printed with permission of author.
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The original article says:
"Licensing is the best way to be paid for creating copyrights—that is, to license and be paid for many pieces of a copyright rather than simply selling the entire copyright. "
but the reader should beware: as designers, any commissioned work that we create is called 'work for hire' and is the property of the client. The ONLY way to avoid this is to sign a written contract with the client BEFORE you start any work.
Licensing is not a way to be 'paid' for creating a 'copyright'. Once you create a work you have the exclusive right to license it (give it or rent it) to others. Whoever has the license (the licensee) gets money (royalties), which are a fraction of the profits.
The original sentence could be misread by some to think that you can arrange a license after creation. You cannot! (Well, it is a lot harder.) So please remember to have the client sign a contract BEFORE you start any work.
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It is my understanding that unless otherwise clearly specified in writing upon intiation of the agreement for hire or contract, that the rights of ownership remain property of the artist by default. The issue comes up distorted when you are contracted for specific tasks. An example might be to take something supplied and change it's colour or make a specific customer directed change to customer supplied work. For instance you are a photographer and it could be argued that the client storyboarded the project and art directed the shoot with enough input to dilute any of the photographers unique artistic ability. In that case a court might see the client as the creative source and therefore the owner of the rights. If the photographer was given some product and instructed to "make it look good, maybe use a blue background" it could be argued that the work is creatively influenced by the photographer and not the client. Here is a question: You have delivered work to CD for a customer to manage their own printing. Does the customer own the layered images used to create the file(s) or simply the flattened files, font's (assuming they are paid for), and layout files needed to facilitate the print job? Further, are they entitled to repeat that print run without paying royalties. By default I understand the law to require this relesae in writing otherwise all is owned by the artist. We do not ever release layered files as we feel they are full of design tricks etc. that are unique to our companies talent pool and therefore protected by Intellectual property law. We do have a client currently asking for what they perceive as their layered files. We are standing our ground.
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I am unable to download the entire article. When I click on the pdf it only
shows me one page. What am I doing wrong? -
http://www.aiga.org/resources/content/2/4/5/2/documents/ch22_crawford.pdf
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I don't see anything about using created works (in the category of "work for hire" in developing a professional portfolio. Do you have experience in this issue and can you comment?
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thanks Jonathan for the link.
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Anyone have any suggestions on how to deal with an advertising agency that stole my work for use in their ads?
I can't tell you how disappointing this is but I am learning. I am glad that AIGA has standards, I just the rest of the country would honor it. Hopefully, there people here that have my back like I would theirs. -
I have recently run into a situation with my previous employer regarding my use of works I designed wile at that agency. I have them posted on my portfolio site, which he found, and is now threatening charges for 'theft of services'?
Any one have any idea if this is a valid argument? I have never run into this before and every other artist I know displays previous agency work in their portfolio. -
I was wondering if it is customary for a photographer to hire an individual (model) and have them sign a contract before they are told the company they are representing and how the pictures are to be used. The reason I am asking is that a photographer saw pictures of my daughter on-line (she is 17 just beginning her modeling career)and would like to hire her, but has told us that we can not know the actual company the shoot is for. It does not seem on the up and up! If any one could help me with this I would really appreciate it.
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David, i'm having the same issue as you. my previous employer i trying to pull the same crap with me, going so far as to have their attorney contact me. i'm thinking this is completely outrageous -- especially since i worked there for MANY years and they're the ones who laid me off. what? did i just not work for all those years?
have you had any luck finding out more? does anybody know anything? -
I am designing a logo for someone, and i purchased a typeface for the logotype. Is purchasing a typeface enough to avoid copyright issues when using it for the logotype?
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David
I'm researching this issue and stumbled upon this thread, but have yet to find any definitive statements, one way or the other. Did you resolve this issue, and if so, what entitlements are you allowed?
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